"I wish I never picked up the pen that stabbed my heart but the sun is a sucker and water sucks up the sun the moon gives out the water and cats eat birds so they can fly and I eat you so I can die." (Esoteric, Constatine Sankathi).
Siete pulgadas compartido de dos grupos estadounidenses con dos temas cada uno de buen hardcore emocional. La canción Esoteric de Constatine Sankathi es sin duda el plato fuerte de este disco. Una auténtica maravilla. Austeridad en la presentación para que destaque toda la intensidad de la música. Además de este compartido, ambos grupos sacaron algún que otro siete pulgadas más.
Editado por el sello Anima Records de Canada en 1995.
Bev. Clone / Constatine Sankathi split EP
"Sometimes this world seems so inside out and sometimes we lose our hope we fall to doubt. It seems so easy to sit back and hide our eyes from the pain hide under our disguises. Sometimes. It's time to look up time to move on this time I'll say I wanted so much more. To learn, to grow, something to reach for. Sometimes. I'm reaching. I want to reach out and show I care. To help someone sometime somewhere. To work from our hearts to make positive change work together and rearrange. Or tell me are these just words we scream to entertain ourselves to make us feel we're a part of something else. I want a chance to stand for change to work together to think and rearrange. Sometimes."
Cinco temas de uno de mis grupos más apreciados: Still Life. EP en formato CD que recoge viejas canciones regrabadas y otras instrumentales o acústicas sobre fondo de textos leídos (como ya hicieron en otros discos). Increíble como suena la versión aquí regrabada de uno de sus mejores temas: Sometimes. Suena igualmente bien la canción que abre el disco, No one is free, una canción rescatada de la segunda demo de su anterior grupo (The Monster Club) y grabada originalmente en 1989. Una especie de disco de rarezas o caras B de este grupazo.
"We were 'the Monster Club' No One is Free was on our second demo in 1989, re-recorded for a compilation that never got past the idea stage. Into fruition is broken instruments recorded on a broken four-track. The narration is off of an old Joe Frank tape, used out of respect for his art. Sometimes was re-recorded for a comp never finished. Overworked is a different take of a song off of the Madness and the Gackle Lp. It was recorded for an Old Glory Records theme comp never finished. The dangereous Dale Johnson contributed backup vocals. My, Oh My was scratched out of the dirt in 1994. It was written for and still is dedicated to Adam Callaway, re-recorded here with orchestration for fun."
Sacado por el sello norteamericano Grayday Productions de Portland en 2002.
Still Life - Limitations boundaries and failures CDEP
